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C


 “When something isn’t working it
 becomes very obvious, so I think that

 as long as we remain a bit invisible then

 we are doing our job well and creating

 space for the competitors and judges

 to shine and for the attendees to enjoy

 themselves.”









 Behind the Engine, The Necessary “Invis-  constantly living in the speciality coffee world bubble. In
 ible” and “Visible”  a  professional  sense  we  use  Instagram  and  other  social
    media only as one arm of a marketing strategy. I think a
 In 2018 you said you would much prefer to be behind   lot of people think that the only way to promote yourself
 the scenes. How do you balance the fact that you   is via digital ads and building a big social media account.
 will undoubtedly gain more influence by participat-  I don’t believe this and depending on who you are trying
 ing in the competition?   to  communicate  to,  what  you  have  to  say,  what  you  are
 I love that more and more people know of The Barista   trying to build and what your core value is you may not
 League  -  it  is  a  really  crazy  thing  that  we  can  go  to  a   even need a social media account to succeed.
 place like Mexico City or Melbourne and a few hundred
 people show up to an event, but it’s definitely not about   You have mentioned you wanted to, “playing as much
 me. Firstly, we have a team of (soon) 9 people and they   music as I could”, do you ever wonder why you were
 are  doing  the  hard  work  to  create  events  that  people   attracted to the role behind the scenes?
 want to attend. Secondly I think that most event pro-  I  really  wanted  to  be  a  “rockstar”  as  I  liked  to  play
 ducers are relatively invisible – you don’t often think   music  and  be  on  stage,  but  by  the  time  I  was  in  my
 about the booking agents or stagehands at a music fes-  twenties I realized I was definitely stronger behind the
 tival – you’re just there to enjoy the music. But when   scenes and not writing or playing (there were too many
 something isn’t working it becomes very obvious, so I   amazing musicians around me for me to think I was as
 think that as long as we remain a bit invisible then we   good as they were). But to do the rock star stuff some-
 are doing our job well and creating space for the com-  one has to book the gigs, organize the payment, pack
 petitors  and  judges  to  shine  and  for  the  attendees  to   the car, buy the merch – and I was always this person
 enjoy themselves.  in my group of friends – even from when we were like
 15. So by the time I was looking for jobs, this felt like
 In  today’s  age  of  social  media,  you  don’t  have  a   the natural next step of moving towards the production
 public social account, how do you feel about social   side  of  the  industry  instead  of  being  on  stage.  I  have
 media as a tool?  always liked doing the behind-the-scenes work, and I
 I  think  social  media  can  be  a  super  powerful  tool  to   love the idea that you create something out of nothing
 connect  with  your  people,  develop  a  brand,  find  new   and that it has a deadline. For the audience, they don’t
 friends or market your company or products. For me,   care if you are ready or if something has gone wrong   “I like the pressure and creativity that you need to exert when there is a hard deadline that you can’t extend. I have so much
 though, being on Instagram and scrolling became more   –  you  just  have  to  figure  it  out  and  find  a  solution.  I   respect for people who edit films, or record music or write books – but it’s a totally different skill in having the patience to
 destructive and anxiety-inducing than a positive expe-  love this pressure and the creativity it inspires and this   grind thought a piece of art or work until you feel like it is ready or perfect. Live events, on the other hand, must be released
                              at a certain time – and it doesn’t really matter if it is perfect or not. So, when that is the reality, you have to change the way
 rience. I still enjoy different social media but I prefer   is what led me more and more to production manage-
                              of thinking towards prioritizing the big stuff, letting the small things go, being flexible, fast-moving and being able to com-
 that  it’s  disconnected  from  my  work  life  so  I  am  not   ment instead of making music.
                              promise. I love this way of working and how challenging it is and as a bonus it is much harder to get bored.”
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