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                                                       and  Technology  Department  at  the  University  of
                                                       California,  Davis  (UC  Davis)  to  translate  it  into  a
                                                       sunburst  chart,  what  we  know  today  as  the  SCA’s
                                                       Coffee Flavor Wheel.
                                                           One Darnley Road, an East London-based creative
                                                       design  and  communications  agency  was  responsible
         Triggering the Senses                         for final design of the wheel and choosing the appro-
                                                       priate  hues  for  each  flavor  attribute.  For  example,
             Charles Spence is an Oxford Professor of Exper-  pinks  were  used  for  “sweet”,  pastels  for  “medicinal”
         imental  Psychology  &  Director  of  the  Crossmodal   etc. in order to create strong visual associations. Com-
         Research Laboratory. His research focuses on how a   ing back to colors being used as sensorial triggers, the
         better understanding of the human mind will lead to   coffee flavor wheel is a great example of how that can
         the  better  design  of  multisensory  foods,  products,   be applied. The wheel is now used as a tool for training
         interfaces, and environments in the future. In his book,   coffee professionals that wish to heighten their sensi-
         Gastrophysics:  The  New  Science  of  Eating,  he  com-  tivity to different coffee flavors.
         ments on how at various points in history, scientists   Freda Yuan is three-time UK Cup Tasters Cham-
         have confidently asserted that there is absolutely no   pion and the author of Sip ‘n’ Slurp, a guide to expert
         association between color and taste. And how on the   coffee tasting. In her book, she explains that during
         other extreme, there are some artists out there today   our gastronomic experiences, after we have seen the
         who  are  inviting  the  public  to  “taste  the  color”.  He   food  or  drink,  we  usually  form  a  certain  idea  about
         believes  that  neither  side  has  got  it  quite  right.  Ac-  what it will taste like, based on the color or the deco-
         cording to him colors are linked with tastes, but even   ration. According to Yuan, “most of the sensory infor-
         so we cannot create a taste out of nowhere, simply by   mation we gather is from our past eating experiences.
         showing the appropriate color.                The color could deceive us or alter our assumptions
             The way I understand it is that the color is more   about the food and beverage we are about to consume.
         of a sensorial trigger that can help to shape, or nudge,   Even  things  like  packaging  or  restaurant  design  or
         the  taste  experience  in  a  particular  direction.  Let’s   other visual cues can influence our taste experience.”
         look at the Specialty Coffee Associations’s (SCA) of-  Yuan’s words actually find resonance in Spence’s
         ficial coffee flavor wheel as an example. Before devel-  mouthwash  example  from  his  book,  “A  mouthwash
         oping it, they decided to first build a lexicon of coffee   manufacturer told me that their orange variant didn’t
         flavor  terms  by  surveying  a  bunch  of  coffee  profes-  taste as astringent to people as their regular blue va-
         sionals.  In  her  article,  The  evolution  of  the  Coffee   riety, despite the formulation of the active ingredients
         Taster’s Flavor Wheel, Sarah Charles explains that the   staying the same. You would probably be surprised to
         World Coffee Research Sensory Lexicon is the product   learn how many companies have come looking for help
         of  a  collaboration  between  dozens  of  professional   over the years, when their consumer panels and focus
         sensory panelists, scientists, coffee buyers, and roast-  groups tell them that their brands taste different, even
         ers.  It  was  developed  by  World  Coffee  Research   though all that has changed is the color of the product
         (WCR), the Sensory Analysis Center at Kansas State   or pack. It makes no sense until you learn something
         University,  and  the  Specialty  Coffee  Association  of   about the rules of multisensory integration governing
         America (SCAA).                               how the brain combines the senses. Here, I am think-
             All these professionals tasted around 100 coffees   ing  of  “sensory  dominance”  —  where  the  brain  uses
         and  identified  their  attributes  over  the  course  of  a   one sense to infer what is going on in the others.”
         year.  This  became  The  World  Coffee  Research  Sen-  In cognitive neuroscience, multisensory integra-
         sory Lexicon, and the basis of the new Flavor Wheel.   tion is the study of how our brain makes sense of the
         The lexicon classifies 110 flavor, aroma, and texture   information it receives from different senses. When
         features  in  coffee  and  offers  terms  for  quantifying   we see, smell, touch and taste something, these sens-
         their intensity. That way, even if someone has never   es work together to give us a complete picture (or in
         tasted one of the descriptors on the wheel, they would   this case, flavor) of what we are experiencing. In the
         at least have a basic understanding of the flavor but   case  of  coffee,  the  wheel  example  shows  just  how
         looking  it  up  on  the  lexicon.  Once  the  lexicon  was   important color can be in influencing our perception
         ready, the SCAA collaborated with the Food Science   of flavor.



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