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“Any cafe or business that plays music

 requires a license to play,”

 says Catherine Giuliano, Director,

 General Licensing at APRA AMCOS.

 “We provide that permission.”                                       or works first published in such a State)

                                                                     must be given the same protection in each
                                                                     of the other Contracting States as the latter
                                                                     grants to the works of its own nationals
 For most of the world’s commercial-  Copyright is also expressed within   (principle of “national treatment”)
 ly-available music, you can get that permis-  several international treaties such as the   (b) Protection must not be condition-
 sion through a license from a music rights   Berne Convention. The Berne Convention   al upon compliance with any formality
 organisation in your country, according to   was adopted way back in 1886; and deals   (principle of “automatic” protection)
 OneMusic.   with the protection of rights of works for                  (c) Protection is independent of the
 Publicly playing music that is protect-  the authors of the works.   existence of protection in the country of
 ed by copyright without permission could   In Australia, copyright happens auto-  origin of the work (principle of “indepen-
 be infringing copyright, which is contrary   matically. If you’re a songwriter sitting at   dence” of protection). If, however, a Con-
 to Australian law.   home, strumming your guitar writing a new      tracting State provides for a longer term of
 The Copyright Act 1968 (Cth) (Copy-  ditty; then your ownership or copyright of   protection than the minimum prescribed
 right Act) regulates copyright in Australia   the song is automated.    by the Convention and the work ceases to
 in relation to original literary, dramatic,   Often, there can be numerous people   be protected in the country of origin, pro-
 musical and artistic works, and subject mat-  who own the copyright: the lyricist, the   tection may be denied once protection in
 ter other than works.  musician and more.                           the country of origin ceases.
 Do I need a music license?                                          Playing music in a business is dif-
                                                                     ferent to playing music at home
 In most cases, cafes and restaurants
 need permission to play music for both                                  Often people wonder why it’s different
 their customers and staff.                                          to play music in a cafe or restaurant than at
 “Any cafe or business that plays                                    home. Well, this comes back to copyright.
 music requires a license to play,” says                             Music is protected by copyright acts. When
 Catherine Giuliano, Director, General                               a cafe plays music of any kind it is to a ben-
 Licensing at APRA AMCOS. “We provide                                efit of the patrons, or customers.
 that permission.”                   So, by having a music license via   “Music is played by choice of the
 APRA AMCOS consists of Austral-  APRA AMCOS, when you hit play on your   owner to enhance the vibe,” says Giuliano.
 asian Performing Right Association and   playlist in your cafe, the artist is protected   Not only does the playlist enhance
 Australasian Mechanical Copyright Own-  and  paid  for  their  work.  Who  wouldn’t   the business, it can also have an effect on
 ers Society, both copyright  management   want to see their favourite musicians get   the customers purchases and habits.
 organisations or copyright collectives   paid for their work, right?    Listening to music can make people
 which jointly represent over 100,000 song-                          eat, or drink more according to studies.
 writers, composers and music publishers   What was the Berne Convention?   Right down to the music tempo can have
 in Australia and New Zealand.                                       an effect on meal duration or intake rate,
 The organisation acts on behalf of the   The Berne Convention was developed   according to this study on the effect  of
 songwriters, and composers they represent   for the protection of literary and artistic   music to eating behaviour.
 with music licenses that provide a revenue   works. It involves three major principals:  Many of us choose where to eat and
 stream for the writer.                                              drink based on the ambience or vibe of
 When an artist’s music is played,   (a) Works originating in one of the   a cafe, not only the menu.
 they earn royalties for their work and get   Contracting States (that is, works the au-  Cafes serving great coffee in Aus-
 fairly paid.                    thor of which is a national of such a State   tralia are not hard to come by.


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