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                                                              Connections to Other Influential De-
                                                              sign Movements

                                                                  When you study the roots of minimalism,
                                                              you begin to notice overlaps and associations with
                                                              other noteworthy design movements in human
                                                              history. This is natural because trends usually
                                                              borrow from and are inspired by one another.
                                                                  In the case of minimalism, its European ori-
                                                              gins are found in the geometric-abstraction cre-
                                                              ations of painters who were associated with the
                                                              Bauhaus movement. One of the mottos of Bauhaus
                                                              was the famous line, form follows function, which
                                                              stresses that any design should put a priority on
                                                              usability and any aesthetic considerations should
                                                              come in second. Painters such as Piet Mondrian
                                                              and Kazimir Malevich are standout examples, as
                                                              well as artists who were associated with the De
                                                              Stijl movement (which translates to ‘The Style’),
                                                              a design trend whose roots date back to 1917
                                                              Leiden, in the Netherlands.





































                                                                                                                         Interestingly, this geometric
                                                                                                                         abstraction was already present in
                                                                                                                         the heyday of Islamic art, many
                                                                                                                         centuries before geometric
                                                                                                                         abstraction and the ensuing
                                                                                                                         minimalist design trend ever hit
                                                                                                                         European or American shores.


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